ARAN PRESS STAGE PLAYS

1036 S. FIFTH STREET

Louisville, KY 40203

ARAN PRESS PLAYS WITH 10 OR MORE CHARACTERS

 

AND I WAS KING?
by Tom Eagan
Cast: 6 men and 4 women. Two acts. Comedy. Set: a living room.
Martin and Bonnie, an American couple honeymooning in Europe, meet Rachel Antois in a cable car in Switzerland. Rachel tells Martin he was married to her in a former life. Martin thinks Rachel is nuts, but Bonnie is intrigued and accepts Rachel's invitation to visit her. At the Antois estate Martin and Bonnie find Rachel's disinherited brothers plotting to have their sister committed to an asylum. Inadvertently, Martin and Bonnie may have provided the brothers with the ammunition they've needed to have Rachel locked away. The honeymooners set out to save Rachel, even if it jeopardizes their own marriage. Book $5.00. Royalty - $25 - $20.

***

THE ANGEL'S SHARE
by Gerard Anthony Cox
Cast: 5 men and 5 women. Two acts. Comedy. Set: living room.
By mistake, Marion Vickers, a male transfer student, is assigned to a women's dorm. The girls and Marion like the arrangement just fine and try to conceal the error from the Dean. But, a complication arisesword spreads around campus that Vickers is about to be hauled into court for refusing to register for the Selective Service, which puts a different spin on his staying at a girls' dorm. Fresh man Samantha Smyth-Scott leads the charge to save Vickers. "A refreshingly tidy comedy" Script Reviews. ANGEL'S SHARE addresses a politically significant issue faced by undergraduates across America. Book $6.00. Royalty $30-$20.

***

APPALACHIAN QUARTET
by Lee Pennington
Cast: flexible, approx. 6 men and 6 women. Two acts.Poetic drama. Set: area staging. What Pulitzer prize nominee Lee Pennington does in APPALACHIAN QUARTET calls to mind Dylan Thomas' UNDER MILKWOOD and Edgar Lee Masters' SPOON RIVER ANTHOLOGY. As Thomas captured Wales in dramatic poetry, and Masters a midwestern village, Pennington brings to the stage a subculture rarely seen. Indeed, one critic asserts: "No other writer has explored Appala chia so consistently in dramatic form [as Pennington]. No other writer has captured so well the complex spirit of his subject." APPALACHIAN QUARTET is four one acts with original music and lyrics by the author. "Appalachia My Sorrow" explores the myths about the region's past. ("Ap palachia isn't what it is, but what it was and never was.") "Coalmine" compares a coal mine and a "spiritual coal mine"; "Foxwind" recounts tall tales, and "Ragweed" raises the question of human value. "APPALACHIAN QUARTET is a genuine approach to the problems and people who are Appalachia." Kay Halasek, The Georgetonian. "QUARTET demonstrates a wide range of emo tions, but all melted together neatly..." Walter Tunis, The Kentucky Kernel. Book $8.00. Royalty - $35 - $20.

***

THE ASSASSIN
by Alexander Panas
Cast: 14 men and 4 women. Two acts. Drama. Set: area staging.
A hired assassin called "the Cobra," is waiting in a hotel room to assassinate the President. As he reflects on his situation, a hideous hallucination overtakes him. The Cobra begins to regress in time to the period of the American Civil War, when he was another assassin, John Wilkes Booth. In this ultimate dream play, the scenes, laced with vaudevillian Civil War songs, are both historical and fantastical. The play moves through Booth's career and climaxes in the inevitable moment when Booth walks into the theatre box of Abraham Lincoln and points a derringer at his head. In this final amazing episode, J.W. Booth decidesWell! You must see it to believe it. THE ASSASSIN has been performed at SMU, The Washington Theatre Club and on NYC Public Television. It is a dazzling tour de force, a challenge for the accomplished director and acting company. Book $11.00. Royalty - $35 - $25.

***

AUGUST 6TH
by Rubin Battino
Cast: 8 men and 3 women. 18 scenes. Set: area staging.
Jerry is a worker in the anti-nuclear war* movement. He has come to the conclusion that speeches don't get through to audiences. Jerry coolly, logically decides that only a media event that shocks people will get their attention. Only something outrageous that dramatizes the point will make folks aware of the horror of nuclear war. Despite all pleadings of his girlfriend and cohorts, Jerry decides on self-immolation by fire, which will be taped by companions and distributes to the TV stations with a voice over message on nuclear war by Jerry. AUGUST 6TH brings to mind all the attention-getting terrorists who do horrible, desperate things to get the world focused on their cause. Hope fully, without the sacrifice of a real life, AUGUST 6TH will get some in the audience thinking. Book $5.00. Royalty - $25-$15.

***

THE BALL-ROOM IN ST. PATRICK'S CATHEDRAL
by Louis Phillips
Cast: 11 men and 6 women. Doubling possible. Comedy/drama. Two acts. Set: area staging. De scribed by Emory Lewis as "a drama of originality and glowing beauty," THE BALL-ROOM IN ST. PATRICK'S CATHEDRAL focuses on a family of Greek-Americans in a small Massachusetts town during the closing days of World War II. The N.Y. Times critic Richard Eder wrote: "It is a naturalistic play, whose setting and details of character could not be more specific and lifelike. Yet the variety of moods and feelings working their way out is such as to give it a glittering intensity that passes realism. It is astonishingly textured" BALL-ROOM runs the scale of human emotions and like life itself you never know which turn it is going to take. Book $8.00. Royalty $30-$20.

***

BAPU
by Alexander Panas
Cast: 19 men and 3 women (with doubling) Two acts. Biography. Set: a bare stage. BAPU is the story of Mahatma Gandhifrom the time he returned to India to work for Indian independence, until his martyred death at the hands of N.V. Godse. Although sweeping in scope, BAPU allows for simple staging and minimal scenery. And a host of fascinating characters: Gandhi, himself, pre sented in a warm, personal and light-hearted manner; his good friend, Rajkumar Shulka, a kind of Sancho Panza; the irrepressible Nehru; Gandhi's wife Kastrubai. Even Winston Churchill steps on stage, along with a bevy of English antagonists. And finally, the key figure in the conflict with Gandhi, the Moslem leader, Mohammed Ali Jinnah, whose uncompromising position eventually catapults into the fiery Hindu-Moslem conflict. Amidst the incisive analysis of power politics. BAPU presents humor and warmth where none might seem to exist. A moving and lyric poetry on a bare-bones stage. Book. $8.00. Royalty - $30 -$20.

***

BECAUSE
by Stephen Avery
Cast: 18 men and 4 women. A drama in 13 scenes. Set: area staging. Not since Clifford Odets' WAITING FOR LEFTY has there been a play that conveys the pain of unemployment as Stephen Avery's BECAUSE. An indictment of a system that punishes individual ity and integrity and rewards mindless conformity. Avery, a writer with a total dedication to his art, has a gift of conveying his theme through his characters in a very life-like way. This is a tragedy that will leave the audience moved but thinking. Book $5.00. Royalty $30-$20.

***

BED-TIME STORY
by Virginia Morrow Black
Cast: 6 men and 7 women. Three acts. Comedy. Set: a bedroom.
A newly-married couple, Amanda and Jerry Longsworthy, settling down in Beaverbrook, Ohio, are hoodwinked by an auctioneer into buying five so-called antique sets of bedroom furniture, believing that, in the re-selling of the furniture, they will be able to afford expensive furnishings for their dreamhouse. BEDTIME STORY is an up-beat, wholesome, fast-paced comedy; family entertain ment at its best. Book $5.00. Royalty $35 - $25.

***

BEFORE THE MORNING
by Herschel S. Steinhardt
Cast: 8 men and 4 women. Three acts. Drama. Set: area staging.
Eugene Thaler is an 18 year old who is being smothered by motherly love and doesn't realize it. His mother, Celia, has driven off her husband, Alfred, and Eugene's fianceé, Barbara. Barbara really loves Eugene, but can't overcome Celia's hold on him. It is not till Eugene, sick and confused, finds himself in a passionate embrace with his mother that he realizes something is radically wrong. Horrified, Eugene runs off to Florida, without money, a place to stay or a job. BEFORE THE MORNING is a variation on a classic dramatic themefrom Euripides' HIPPOLYTUS, Racine's PHAEDRA to Howard's THE SILVER CORD. "Steinhardt's writing is unaffected and discerning as to characterization." The Detroit Free Press. Book $6.00. Royalty $35 - $25.

***

BLIND TRANSFER
by Dorothy Randle Clinton
Cast: 11 men and 3 women. Three acts. Whodunit. Set: area staging.
A low-key murder mystery. J.C. who wasn't much of a human being and nobody had much affection for, has been murdered. J.C.'s brother Blass is a study in contrast. Blass is proper to the point of being a plastic prig. His chief concern is always: what will others think. Bob Fosse and Hoyt Badler are two cops assigned to solve the crime. They methodically interview everyone connected with J.C. and freely express their suspicions based on the their personal opinions of the assortment of characters questioned. The play captures the work-a-day realism of the police on a murder investi gation. The audience won't easily guess the the murderer. Book $5.00. Royalty $25 - $20.

***

BOG
by David Lawrence
Cast: 9 men and 1 woman and extras. Three acts. Aburdist farce. Set: area staging. Every society has taboos. Roll up all our society's taboos and you have the absurdist, very irreverent farce called BOG. BOG has something in it to offend just about everyone. Underlying the acid satire, BOG beats out the theme that who determines "Reality" depends on who has the microphone. Book $6.00. Royalty $30-$20.

***

B.S. AT THE BASTILLE
by John Liam Joyce
Cast: 10 men and 2 women. Two acts. Set: dressing room.
Not many of us have visited a quick change dressing room backstage at a Broadway theatre or know the people that work in one as caretakers of the costumes and dressers for the actors between scenes. This is the unique pleasure of B.S. AT THE BASTILLE the focus is on the backstage dressers. The on-stage actors in the play-within-a-play provide the supporting cast as they drift in and out for a change of costume. No backstage melodramatics here, no hype. Just real-to-life people going about making a living, which just happens to be serving up the fantasy that keeps the audience out-front entertained. This is theatre at its most authentic. B.S. achieves something only the best of plays achieveIt admits us into the company of folks most of us would not otherwise have the opportu nity of meeting. Book $6.00. Royalty $30-$20.

***

C'EST LA LÉGION
by Francis Gallagher
Cast: 18 men. Two acts. Drama. Set: area staging.
C'EST LA LÉGION is a dramatic celebration of the most unique fighting force in the world Légion Étrangère or French Foreign Legion. A disciplined professional military corps of volunteers founded in 1831, the Foreign Legion has fought in all of France's wars since and been romantized in the popular imagination as the refuge of criminals, unrequited lovers, rich and poor alike. C'EST LA LÉGION is set at Sidi-Bel-Abbès, Algeria, home base of the Legion in 1961, when Algeria was in revolt against France and one regiment of the Legion supported the Algerians. The play brings to life the world of proud mercenaries who have forsaken their countries, men whose motto is "Legio Patria Nostra" (the Legion is Our Fatherland). Book $10.00 Royalty $30-$20.

****

CHILDREN OF THE REVOLUTION
by Louis Valentine
Cast: 9 men and 2 women. Three acts. Drama. Set: A mud hut.
Death squadsrecruited from prisons and insane asylums, armed with M-16s, and trained by the CIAhave been assigned by their government to slaughter entire villages, and make it look like it was done by the Communists. Reason: "to fool the gringosso they will keep sending all those millions to fight Communists." Two of these blood-thirsty soldiers commandeer the humble hut of Ceferino and his two children. In the condition they are in, stoned with pot and drunk with corn liquor, Ceferino knows why they have picked his hut. They have spotted his beautiful daughter, Melisa, and he knows that before the night is over these mad dogs will rape his daughter and murder him and his young son, Tulio. CHILDREN OF THE REVOLUTION is drama and suspense at it best. It is also a vivid picture of what it is like for young children to grow up in contemporary Cen tral America. The playwright has lived most of his life in Honduras and has first-hand knowledge of the "phony" wars and tells it like it really is. CHILDREN OF THE REVOLUTION is a play for a director with a social conscience. It is for audiences who want dramas of substance. Book $10.00. Royalty - $35 - $25.

***

COLUMBUS DISCOVERS AMERICA
by John V. Falconieri
Cast: 8 men and 1 woman and extras. A serious farce. Two scenes and Epilogue. Set: area staging. COLUMBUS DISCOVERS AMERICA puts an original spin on the big event of 1492. God is a player. God allows Columbus to discover a new world to reward Columbus for his courage and Queen Isabella for her faith. Before the Lord comes into the picture, the logic of the Queen's learned advisors is irrefutable. A humorous dramatization of the profound truth: All things are possible for God and those who believe. Book $4.00. Royalty $15-$10.

***

A COMPUTER WHIZ AT KING ARTHUR'S COURT
by Dick W. Zylstra
Cast: A minimum of 8 men and 5 women. Musical comedy. Two acts. Set: area staging. COMPUTER WHIZ updates Mark Twain's Connecticut Yankee. It pokes fun at government bureaucracy, taxes, inflation, deficit spending, war and football, yet offers heart-warming romance, sus penseful intrigue and delightful humor. It contrasts language, beliefs and attitudes of the Sixth Century with those of a modern American. With continuous fast-paced action and minor set changes, A COMPUTER WHIZ is a whizbang to stagetwo hours of delightful entertainment with sixteen original songs. Book $8.00. Royalty - $35 - $25.

***

CON FOR PREMIUM JOHN
by Francis Gallagher
Cast: 8 men and 3 women. Two acts. Comedy. Set: a speakeasy.
December, 1932. New York City. A speakeasy. Prohibition and the Great Depression are the back ground. In a plot worthy of O'Henry and with characters that could have stepped out of Damon Runyon, playwright Gallagher spins an hilarious tale (based on a true story!) of an indestructible Scotsman who a gang of low-life is trying to bump off to collect on an insurance policy. Book $8.00. Royalty $30-$20.

***

THE CROWDED HEART
by Eugene Yanni
Cast: 8 men and 7 women. Poetic drama. Three parts. Set: area staging. Poetic genius Eugene Yanni's latest! It is imposible to recount the power of a Yanni play. In subject, basically a generational family saga. There is, however, no simple story line to relate that will convey the angst, the mythic, mystic and poetic flights of fancy of THE CROWED HEART. The play must be read, or better, performed to be appreciated. Book $4.00. Royalty $30-$20.

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DAVID
by Daniel Wolf
Cast: 7 men and 1 woman. (Extras required, doubling possible.) Libretto for musical. One act. Set: area staging. DAVID is a musical based on the Biblical story of God's rejection of Saul, blessing of David, the slaying of Goliath, and David's selection as new King of Israel. DAVID can be staged inexpensively and unpretentiously without sacrificing artistic merit. Sets and costumes need not be elaborate. DAVID has appeal for all audiences. Children and young people will especially enjoy the Goliath scene with its accompanying "Freedom Song" as well as various military marches and battle scenes. Adults will appreciate the poignancy of David's relationship with Jonathan. Book $4.00. Royalty $20-$10. [Music is separate.]

***

THE DAY BED
by Jesse Kulberg
Cast: 7 men and 5 women. One act. Comedy. Set: a furnished room.
Eddie is married and he is poor. He has always been poor. His wife works and he works part-time and goes to schoolSomeday he will be an attorney and get out of povertyOr will he? THE DAY BED takes us through one morning of Eddie's reflections. His father, his mother, an old army buddy, and his wife are all shadows that enter into Eddie's dialogue with himself on the proposition of whether it is worth going on. Book $7.00. Royalty $15 - $10.

***

DEAR OLD GOLDEN RULE DAYS
by Francis Hoffmann
Cast: 8 men and 6 women. Comedy. Two acts. Set: a kitchen. CRUNCH TIME! Yes, it's coming up crunch time for the parochial school system in a small southern Colorado city. Like a car that's run out of gas ($$$), the system is coasting to a stop and much to the dismay and consternation of the Garth familywith the exception of Pop Garth, who happily sees an end to his having to pay tuition. Mom Garth fears for the future of her six teenaged children. Further beclouding the picture is her two sons' misfortunes on the football field; they've never beaten their most hated rival: a much larger, tax-endowed public high school. Uncle Ant'ny, Mom Garth's bachelor brother, meanwhile carries on a one-man letter-writing campaign to get a Constitutional amendment for tax aid for private schools. Teenage romances also abound in this grab-bag play. Once again, playwright Hoffmann applies his unique brand of humor to the life of southern Colorado. Book $6.00. Royalty $35-$25.

***

DILEMMA WITH EMMA
by Virginia Morrow Black
Cast: 7 women, 11 men. Three acts.Comedy. Set: living room.
Emma, a mischief-loving, mercenary, delightfully ostentatious, matriarch of a wealthy, Upper Penin sula family, has just breathed her last in a bedroom offstage, and family and friends are arguing over what to do with the body all have different versions of what Emma wanted. When cemetery workers crash into the funeral services announcing they have struck oil preparing a grave for Emma, ever mercenary Emma sits up in her casket! Book $5.00. Royalty $35 - $25.

***

DRACULA 69
by Alexander Panas
Cast: 8 men and 3 women. Fourteen scenes. Comedy. Set: area staging.
This is not the same old, hashed-over Dracula story. Any resemblances is purely coincidental. In this one Dracula is the romantic hero, and Van Helsing is a mad scientific genius who wants to take over the planet. Van Helsing is after Dracula to get some of that immortal blood flowing in his veins. To do this, Van Helsing enlists the aid of FQ I, the code name of one of his operatives. FQ I's mission is to seduce Dracula! Once FQ I is impregnated by the Immortal, it'll be scientific child's play for Van Helsing to make himself immortal. The characters are as good as a James Bond movie, and DRACULA 69 is perfect for the director with a flair for intrigue, comedy and stage pyrotech nics. Book $11.00. Royalty - $35 - $20.

***

DUST TO DUST
by Virginia Morrow Black
Cast: 6 men and 6 women. Three acts. Comedy. Set: a living room.
A practical joker gets his come-uppance in this light situation and character comedy. Cordelia and Jake have the job of scattering Uncle Jasper ashes to the ocean. Jake gets things mixed up and the plot begins. DUST TO DUST is recommended for college, community, summer stock, dinner theatre. Book $5.00. Royalty $35-$25.

***

ELAINE
by Adam L. West
Cast: 5 men and 8 women. Six scenes. Romance. Set: area staging.
ELAINE is a sequel to JON (infra). However, it can stand on its own. Elaine, as a young girl, lived with her father in France during his diamond smuggling days and shares his passions and intensity for life and love. In later life she goes back to England and enters school. Upon graduation she marries Stanley Cranston, the son of the groundskeeper at her school. Stanley Cranston's father allows them to stay married only ten years so Elaine can go into the convent to join her parents, who are both there as "nuns." The rest of the story is as delightfully complex as a Victorian novel as Elaine is driven out of the convent and money from Jon's diamond smuggling days comes into play. In between all this the conversation of Fathers Vladimir and D' Mittim provides a running commen tary and sardonic relief. Book $5.00. Royalty $30 - $20.

***

AN END IN SIGHT
by Richard France
Cast: 6 men and 4 women. Two acts. Tragic comedy. Set: day room of an asylum.
Professor Unger is a man of the hour, late fifties, an educator at the height of his powers (which is to say, a splendid performer), and this is his day to shine. He is also an asylum inmate, which means Professor Unger can be cut off at any time. This, plus the fact that time itself is running out, give Professor Unger an urgency to get it all out. Then there is Miss Lamb, a forty year old who plays at being twelve; Miss Skewis, a veteran of asylums; Joe Blue, an animal in human form, Putt Putt, who has witnessed the unspeakable, and many more characters that mix it up in this unsavory comedy about life in the day room of a play that makes most of us uncomfortable to even think about. Book $6.00. Royalty $30-$20.

***

THE FAMILY JEWELS
by John Fiero
Cast: 6 men and 5 women. Comedy. Two acts. Set: Mexican cantina and a living room. Abrigail
Farthingham and her grandson, Edward, are *in a comic struggle against her conniving nephews, Robert and Jeffery Farthingham. They want her property for a big land deal, but she is determined to hold on and reopen her rehabilitation center for former convicts. Using skills learned from former clients of Abigail's center, Edward steals the family jewels from his uncle's safe. He and Abigail then hock them to fund their "Track or Treat" servicea combination bookmaking and send-out -only bordello. Although Robert accidentally discovers this and threatens criminal charages, they turn it into a hilarious Mexcian stand off with counter threats, some help from Robert's wife, and revelations of Jeffery's aberrant behavior. Book $8.00. Royalty - $35-$25.

***

FAUSTA
by Ted Perry
Cast: 15 women (doubling possible). 38 French scenes. Set: abstract or realistic, depending on productions. Professor Krula is rehearsing a group of her college students in her all female cast adaptation of Christopher Marlowe's DOCTOR FAUSTUS, in which she will play the title role. The production is being staged in a shopping mall. Professor Krula's personal life and glimpses of the lives of the cast and mall shoppers are interspliced with the Marlowe play. The contemporary stories highlight the present-day relevance of Marlowe's theme as well as providing relief from the tragedy, much as DOCTOR FAUSTUS makes use of numerous comic interludes. In FAUSTA, the transitions between the original Marlowe text and Perry's scenes are often abrupt and, as the play progresses, the distinctions between these levels of reality begin to blur. FAUSTA breathes fresh vigor into a classic and makes the power of Marlowe's verse more than palpable to modern audience that might think twice about sitting through a full-length Elizabethan tragedy. Book $6.00. Royalty $30-$20.

***

THE FEAST OF THE DANCING MONKEY
by Tom Eagan
Cast: 11 men and 10 women (doubling essential). Comedy-drama. Two acts. Set: area staging. Buddy Luccissi, a bum from Brooklyn, is about to marry an upstate, uppperclass Doris Beauford, but things don't quite work out the way they are supposed to. Buddy finds himself in Guatemala mis taken for an arch-rival of the corrupt Generalissimo Guano, and thrust into saving the beautiful Juanita from becoming Guano's bride. Book $7.00. Royalty $40-$20.

***

FLESH, FLASH AND FRANK HARRIS
by Paul Stephen Lim
Cast: 8 men and 5 women. Two acts. Set: multi-scene, area lighting.
Frank Harris, whose autobiography was banned as pornography, was a friend of Oscar Wilde and Bernard Shaw, and an influential London editor. It is a story with epic rangefrom Ireland, to Kansas, to work on the Brooklyn Bridge, to London society, to France, to a walkup flat in Italy. Lim's technique is remarkablea young, a middle-aged, and an old Frank Harris share the stage simultaneously. "Few plays dare to pit the collective imaginations of the audience against the
singular imagination of the playwright. The latest from Paul Stephen Lim is that particular kind of daring, provocative playa mentally exhausted audience was left applauding. Lim has become the most noteworthy of our regional playwrights," Michael McGrath, The Kansas City Star. "It is worth a trip to the East Village to see Paul Stephen Lim's lively FLESH, FLASH & FRANK HARRIS," N.Y. Theatre Voice. Book $11.00.Royalty - $35-$20.

***

FRITZ AND HARRIET
by George Haessler
Cast: 10 men and 2 women. Three acts. Biography. Set: area staging.
Chronicles a period in the life of violinist and composer Fritz Kreisler. The play opens in the winter of 1935 and spans the war years. The curtain comes down on a scene in the autumn of 1948. In between, we get a glimpse of the day to day life of a musical genius. Book $8.00. Royalty $30 -$20.

***

GRANDMA WAS A LION TAMER
by Donna Roberts
Cast: 7 men and 6 women. Three acts. Comedy. Set: a living room.
Lily lives with her two grandchildren, Jack and Jill, and her maid/cook/good friend Mandyand also, Nero, a lion. Lily used to do a circus lion act and old Nero retired along with her to a home in New Orleans. The problem is: What is going to happen to Jack and Jill and old Nero when Lily passes on? Mandy is a good cook and good at mysterious chants, but she is outranked in the guard ianship department by mean Aunt Judith. Why is Judith mean? Well, for one thing, she doesn't approve of the relaxed way Lily is rearing Jack and Jill. And worse, mean Aunt Judith wants to get rid of poor of old Nerowhich really makes her mean. Lily dies and Jack and Jill contrive to let everyone think she is still alive to keep mean Aunt Judith off their back. They get a little help from Nero, and the ghost of Lily. Book $10.00. Royalty - $25 - $15.

***

THE HAND OF THE POTTER
by Herschel S. Steinhardt
Cast: 4 men and 5 women, and extras.Two acts. Drama. Set: area staging.
"They sneer at me for leaning all awry:/What! did the Hand then of the Potter shake?" The Rubaiyat. Many years ago, April and Peter were students and lovers. Then Peter got into a fight with the thief who headed the graduate department. Peter was arrested and struck on the skull. He disappeared out of April's life. Still carrying the torch for Peter, thirty-five years later, April, volun teering to work with the mentally handicapped, finds Peter as one of the clients. But, he doesn't recognize her. A beautiful, positive-spirited play that says what we would all like to believeLove conquers all. It is also a play that should promote some compassion for the more than three million schizophrenics in America. Book $6.00. Royalty $30-$20.

***

HIGHER LOVE
by David H. Nathan
Cast: 15 men and 6 women. (doubling possible). Four acts. Comedy. Set: area staging. Nathaniel has died and come before a heavenly board of examiners who will determine his fate. Molly is in the same fix. The heavenly board, at the suggestion of one of the judges, a Woody Allen-type with a fondness for practical jokes, decides that Nathaniel and Molly are a perfect match for challenging their character flaws. Nathaniel and Molly are each given an assignment with respect to the other and then the two of them are send on a journey that would make Dante cringe. HIGHER LOVE is an update on afterlife that will carry the audience through four realms of laughter. Book: $6.00. Royalty $30 - $20.

***

HOMERICA
by Paul Stephen Lim
Cast: 9 men and 5 women. Three one acts.Comedy. Set: a basement.
Three one acts, each of which can stand on its own, but are bound by place and theme and two characters. The subject is the sexual revolution. In "Bull's Books" a bookstore closes; in "Sammy's Swingles" the place has been taken over by a singles bar. In "Mothers Superior" the bar has been converted by a group of Irish nuns into a surrogate mothers business. HOMERICA premiered at the University of Kansas in 1977 and was subsequently produced in England at Leicester University in 1983. "Outrageous satirewickedly funny," Leicester Mercury. "A freaked-out farcea kind of 'You Can't Take It With You' as revisualized by Heoronymus Bosch," The Kansan City Times. "A dazzling, virtuoso kind of theatre! HOMERICA ultimately shows the destructive, regressive, dehumanizing effects of so-called sexual freedom with dire consequences for the entire human race. The play comes to this bleak vision through three acts, each more crazily comic than the lastpervading the whole, however, is Lim's verbal wizardry and an electrifying theatricality," John Bush Jones, Kansas City Star Magazine. "One of the most effective social dissertations of today," University Daily Kansan. Book $10.00. Royalty- $30 - $20.

***

THE HOUSE OF KARAGIAN
by Alexander Panas
Cast: 14 men and 7 women. Three acts. Drama. Set: area staging.
Behind the posturings of world powers is the armaments manufacturers, and the leading armaments manufacturer on the eve of World War I is Sir Basil Karagian, a citizen of the world, born in Constantinople of Greek descent, a citizen of France, manufacturing arms in England. He has just been assassinated, and his 35 year old son, Nicholas, a frequent sanatorium patient, is now head of the family and company. Sir Basil's daughter, Athena, has broken off and started her own armaments company. It is believed by the British and Greek governments that Sir Basil's murder had something to do with his acquisition of a new weapon, the Z-600 gun. The Z-600 is reputedly so superior a weapon it would insure victory to whichever side held it exclusively. Who killed Sir Basil? What has happened to the plans for the Z-600? THE HOUSE OF KARAGIAN is a detective story of international intrigue. Book $12.00. Royalty - $50 - $25.

***

THE HOUSE THAT ATE THEIR BRAINS
by Rolando Perez
Cast: Flexible 10 men and 5 women. Doubling possible. Absurdist comedy in six scenes. Set: area staging. People's lives often get taken over by their love of possessions. THE HOUSE THAT ATE THEIR BRAINS takes this premise to the endth degree. Playwright Perez uses a house as the ultimate metaphor to dramatize slavery to material things. We witness the moral and mental disinte gration of a couple who start out wanting only a house to live in. Slowly from concern about crab grass and the lawn and evenings with mindless neighbors, the couple turn to stealing and finally murder to satisfy the demands of their house. Book $5.00. Royalty $30-$20.

***

"H" IS FOR BOX
by Rolando Perez
Cat: 10 men and 1 woman. One act. Absurdist comedy. Set: area staging. "H" wants "in," i.e. to make a living as a recognized artist. To achieve his goal, "H" is willing to make his art conform with the demands of the twins Silver and Smith, who guard the entrance to "in." The twins (read "estab lishment") will only let "H" in, however, when he accepts the role of a crude Hispanic stereotype. Once "in," "H" is introduced to a circus of minorities, all of whom are conforming to the stereotypes of the twins in order to make a living. "H" IS FOR BOX attacks "familiar targets," in a highly original way. Book $4.00. Royalty $15-$10.

***

HAND OF FIRE
by Francis Gallagher
Cast: 8 men and 2 women. Drama. Two acts. Set: area staging.
HAND OF FIRE (originally entitled VINCENT) dramatizes the last two years in the life of Vincent Van Gogh, the period in which he produced his greatest work. Of the New York production the critics wrote: "An engrossing and moving drama of the life of Van Gogh, his ruinous relationship with Gauguin, his abortive search for love." Herald Tribune. "A warm and engaging play." R. Watts, N.Y. Post. "Best of new off-B'way plays." N.Y. Daily News. "What I like best about the script is its quiet taste in an area where lurid melodramatics usually prevails." Emory Lewis, Cue. "Mr. Gallagher manages to capture the imagination of the audience and provoke the ageless question. Why? Why did this man of goodwill and genius have to suffer?" Brooks Atkinson, N.Y. Times. Book $8.00. Royalty $35-$20.

***

HANGING BASKETS
by Richard Chambers Prescott
Cast: 6 men and 5 women. A one act. Comedy. Set: apartment.
HANGING BASKETS is a satire on psychiatry. Jack and Jill are in therapy for alcoholism and O.C.D. (obsessive compulsive disorder). Seven doctors surround them, each representing a different school of psychotherapy, and each doctor has a different direction to take the young couple in. Finally, Jack and Jill experience a shared dream, discover some wonderful truths about themselves and decide to give the boot to the crackpots they have been paying to find a cure for them. HANGING BASKETS has been successfully produced in Seattle, Washington. Book $3.00. Royalty $20-$10.

***

HUNGRY
by Stephen Avery
15 men and 6 women (doubling possible) Three one acts. Drama. Set: area staging. People living on the edgein bars of the red-light district is the subject of the title one act "Hungry" a master piece of the lower depths of American society, more riveting than Elmer Rice, Upton Sinclair, Lewis Sinclair, or Zola and Gorki combined could achieve. "The Choice" is a study in lust, the quiet ten sion experienced by a working stiff torn between a professional hooker in a bar and going home to his wife. In "Trevor" we get into the mind of the "normal" nice guy next doorwho just happens to be a serial killer. Mr. Avery writes powerfully and with authenticity of those who are possessed of a soul hunger. Characters who are trying desperately to fill the void inside. In sometimes brutal, often poetic, and always dramatic terms, Avery brings to these lives a peculiar understanding and significance. Book $6.00. Royalty $30-$20.

***

I WANT TO WRITE A JEWISH POEM
by Gary Pacernick
Cast: 10 men and 6 women. One act. Set: area staging.
I WANT TO WRITE A JEWISH POEM is a paean to the Jewish experience. The story is told through one family's odyssey from Russia and Nazi Germany to America. Family members tell of their struggle and suffering, which evoke an entire culture. The central character wants to be a poet, but almost everyone in his extended family tries to discourage him. They urge him to build some thing substantial, i.e. to make a living instead of poems. Ironically, it may be the poet who gives to the family something more enduring than money can buy. "There is a resonance to those who walk about the earth/ looking for a place to eat, sleep, worship, make love, to stand until the ground under their feet softens and there is a motion in the air as familiar as their names,/ their destination un reachable in the pathless desert,/ as if were coal burning upon their speechless tongues." Pacernick captures the resonance and the tongues are no longer speechless. Book $5.00. Royalty $20 - $15.

***

IN MY END IS MY BEGINNING
by Francis Gallagher
Cast: 15 men and 3 women. Two acts. Historical drama. Set: area staging.
Whether Mary Stuart, Queen of Scotland, was plotting to overthrow Queen Elizabeth of England is a question for the historians. IN MY END IS MY BEGINNING , hewing as close to the historical record as one can, playwright Gallagher has fashioned a Mary Stuart that is more martyr than con spirator with designs on the English throne. While Gallagher's arch-villain is Queen Elizabeth, the play focuses on Elizabeth's minions who are charged with the ignoble duty of finding Mary guilty of treason, regardless of the facts. Thomas Bromley, the Lord High Chancellor; Lord Brughley, the Lord High Admiral; Howard of Effingham, the Secretary of State; Sir Francis Walsingham, and Sir John Popham (one-time-highwayman now the Attorney General of England)are as unsavory and hypocritical a lot of jurists ever assembled since the trial of of Joan of Arc. IN MY END IS MY BEGINNING is excellent historical drama with living breathing, very memorable characters. Book $10.00. Royalty $30$20.

***

INSIDIOUS
by Stephen Avery
Cast: 15 men and 8 women. (Extras required, but doubling possible.) Drama. Three acts. Set: area staging. INSIDIOUS is a close study of the deterioration of a young lady brought down by drug addiction. Jenny is just a young naive girl looking fir a little fun and affection, trusting too much in her punkish, morally-lax and unpolished boy friend. Jenny's chief weakness is a lack of discrimina tion in selecting her friends. INSIDIOUS is an excellent play for parents and teens. Book $5.00. Royalty $30-$20.

***

INSPECTOR VASILI AND THE BIRD OF PARADISE CAPER
by Alexander Panas
Cast: 9 men and 3 women. Two acts. Farce. Set: a courtroom.
The most brilliant criminal detective of the New York City Police Department, Inspector Antonio Vasili, is himself on trial for murdering an exotic dancer, Tracey D'Ambois, better known as the Bird of Paradise. Vasili is, putting it mildly, an eccentric, who solves his cases by the most unorthodox of methods. His partner for five years testifies that Vasili, "never believed in evidence as such." He would also talk to a murder victim, "it was all part of his technique." In his last case, Vasili shot himself in the arm. His most bizarre method, however, is using puppets to solve crimes! Despite all the negative testimony on Vasili, the audience feels that he is not guilty. Who then did murder the Bird of Paradise? There is a surprising revelation on almost every other page of this mystery farce, and the biggest surprise is who murdered the Bird of Paradise. Book $10.00. Royalty - $50 - $25.

***

IRON MEN
by Francis Gallagher
Cast: 14 men and 2 women. Drama. Three acts. Set: 2: barroom and a skyscraper under construction.
This is a very special very play, a challenge for the scene designer and set construction. A unique play. A play that puts on stage a skyscraper under construction and a bit of the lives of the men who work fifty plus stories in the sky constructing the steel towers that are at the heart of every down town in America. First produced on Broadway in the heart of the Great Depression. IRON MEN ran for four weeks to bad reviews. This is the revised version, in which Gallagher has "improved" the script by putting in the language he wasn't allowed to in the 1930's. Book $10.00. Royalty $30 $20.

***

JIHAD OF ARABIA
by Scott Nichols
Cast: 12 men and 2 women. (Extras required.) Comedy. Two acts. Set: area staging. Muhammad Jihad, Supreme Commissar of Arabia, is seen as a threat by Israel because he harbors the anti-Zionist terrorist Abu Dabah; because he is advised by the likes of men like ex-East German Secret Police officer, Fritz Krieg, and most of all because he is rumored to have developed an Arab AIDS bomb. A whole masterful scene of JIHAD is devoted to Jihad's review of his army, led by Jihad's fat younger brother, Sonny. Sonny, formerly a tank repairman, has been promoted in the twinkle of an eye to Field Marshal and General of the Immortal Guards Division when Jihad became Supreme Commis sar. Jihad's bloated revolutionary rhetoric addressed to his cheering crowds is in sharp contrast to the pathetic incompetence of of his entourage. JIHAD OF ARABIA sheds satiric light on the dark mentality of Arab nationalist dictators as well as news coverage as show biz, militarism and the Arab-Israeli conflict. The preemptive Israeli attack on Jihad, his capture, the trial for "war crimes" makes excellent drama. Book $6.00. Royalty $30-$20.

***

JON
by Adam L. West
Cast: 2 men. Six scenes. Historical romance. Set: area staging.
In the 1870's Jon Alencon, the devout, intense heir to a British title, marries Gwen, a poor serving girl, and is thrown out by his family. He flees in despair to France, and makes a fortune smuggling diamonds. He returns to Britain, determined to live with Gwen at any cost. But he finds Gwen bound to servitude in a convent. In a bizarre ruse, Jon smuggles himself into the convent, but before he can get Gwen out, his genuine religious conversion ensnares him in his own gambit, and the couple stays voluntarily. Jon remains disguised as a nun! His body, exhumed seventy-six years later in a rebuilding of the church, is found to be undecayed, which almost guarantees recognition by the Church as a saint. The story is told as the conversations of two eccentric devil's advocates in their basement office in the Vatican. Book $4.00. Royalty $30 - $20.

***

THE KUKKURRIK FABLES
by Oscar Mandel
Cast: variable. 43 mini-plays. Set: area staging.
THE KUKKURRIK FABLES is a unique and invaluable collection. No theatre director should be without a copy. THE KUKKURRIK FABLES dramatizes forty-three original fables. An opportu nity for wide flexibility in productionfifteen minutes or two hours worth of material can be used. The fables are suitable for full staging or dramatic reading by a flexible cast. "Delightful little talesbest described as modern Aesop Fables." Hollywood Reporter. "the art of the piquant fable is the unusual pleasure running this month at the New Hope Inn Mandel has mastered a precise form." Los Angeles Times. "The fables are written in a slyly witty and highly sophisticated style that keeps the audience chuckling en route to the barbed 'moral' at the end." Pasadena Star-News. "Droll and charming fablesa complete oddball beastiary mocking the world and its follies." L'Express, Paris. "The fablesare full of unexpected points and deep lessons, biting jest and good-natured humorTruly a banquet!" Der Bund, Bern, Switzerland. Book $5.00. Royalty - $50 - $25 (all). $10 - $5 (individually).

***

LEAD ME HOME
by Gerard Anthony Cox
Cast: 8 men and 3 women. Drama. Two acts. Set: living room.
LEAD ME HOME is a story of blind faith and a mystery that holds the audience to the end. After a brief opening scene with her loving husband David, Grace Drumuff is informed that her husband has just been killed in a car wreck. Despite family and friends, the police and everyone, Grace refuses to believe David is dead. The only thing that supports her conviction is mysterious phone calls in which the person on the other end never says anything. A long-time friend, Gale, tries to help Grace through a period of mourning. Grace dismisses everyone and awaits David's return. The suspense grows when the local service station mechanic shows up to sexually assault Grace. Then there is a mysterious stranger (not David) and a N.Y. State Trooper who we begin to suspect of evil designs. Only Grace's faith in David's return, a faith that seems almost deranged, holds Grace's life together. Book $4.75. Royalty $30-$20.

***

LET ME IN, I GOT MY OWN STRAITJACKET, EVERY BRIDGE HAS A SPLASH & THE MAN IN THE PINSTRIPE SUIT
by Alexander Panas
Cast: variable. Three one act comedies. Set: area staging.
Waldo Katz appears in front of the Cartoola State Asylum with a straitjacket and a good number of fine references that say he is a nut, a wildman, cuckoo, etc. But he still finds it difficult to be admit ted because of the tremendous number of applicants. You could go crazy trying to figure out the significance of this absurd comedy. In "Every Bridge Has A Splash" a man and a woman meet on a bridge that has a history of suicide jumps. Neither of them has lived a life conducive to staying on the bridge. In "The Man in the Pinstripe Suit" Alphone Devron steals a huge sum of money and impersonates a British nobleman to win a wife. Do clothes make the man? Book $4.00. Royalty - $35 - $25 (all three); $15 - $10 (individually).

***


LOVERS' PARTING
by Leonard L. Perlmutter
Cast: 3 men & 7 women. Two acts. Romantic comedy. Set: office/living room.
Holding onto the past versus embracing the present is the theme. George Romero, a highly success ful, middle-aged businessman is out for a new companion in life, and has the ghost of his dearly beloved decease wife Loretta to guide him. Trouble is George likes a very young girl and Loretta doesn't think it would work out. Nor does George's son, John, who is ten years older than the girl George has in mind. So, Greg Palmer, an advertising exec., sets up more dates for George. Book $4.00. Royalty $30-$20.

***

THE LILAC BUSH
by Matthew Maibaum
Cast: 13 men and 7 women. Tragic comedy. Three acts. Set: area staging. Dr. Ev Peake is Head of the Psychology Dept. at a growing private university with a full careera new book coming out; a new program in Applied Psychology being launched; input into a state licensing law for psychology graduates, classes to teach, and just selected Teacher of the Year. In contrast, Dr. Roddy McKeon is a very unpleasant, self-absorbed, alcoholic eccentric working on experiments with squid and coeds. McKeon has no regard for the paper work that a growing university requires of even an experimental psychologist if grant applications are to be funded. Dr. Peake and Dr. McKeon get into a fight over missing forms just as the University Trustees and Accrediting Committee enter. This one incident destroys Dr. Peake's career. A well-researched, well-written tragic comedy, based on an actual incident. The pretence and superficiality of the academic world are underlying themes. Book $5.00. Royalty $30-$20.

***

MACBETH: TODAY'S SHAKESPEARE
Translated into Modern English
by Eric Zuesse
Cast: 23 men and 7 women (doubling possible). Five acts. Set: area staging. While Shakespeare's plays are timeless and will be eternally valid and contemporary, the terms and colloquial expressions of a language in a given era are strictly bound to that time; a language is not timeless and eternally valid. To Italians, Latin is now a foreign tongue; the Greeks no longer speak or understand ancient Greek; and contemporary speakers of the English language, now four centuries removed from Elizabethan England and the speech of Shakespeare's plays, are already well on the way to speaking and knowing an English language foreign to Elizabethan England, which present needless barriers to the understanding and appreciation of a play by contemporary audiences. The Bard's plays, in days of old, used to be quite popular among the illiterate masses. But now, even highly literate audiences have difficulty with these dramas. It is not the plays that have changed, but the language. The purpose of this translation of MACBETH is to restore this Shakespearean drama to its original status of both high and popular art. The objective of this translation, in other words, is for the audience to experience Shakespeare as the supremely eloquent writer we all recognize, yet to restore the immediacy and intensity of impact which have been gradually lost to these plays due to 400 years of change in the English language. Book $5.00. Royalty $30 - $20.

***

MAY I BORROW YOUR BEDPAN, PLEASE?
by Francis Hoffmann
Cast: 3 men and 18 women. Two acts. Set: area staging.
Franklyn Matthew Lofton, recuperating from a broken hip, checks into Snug Harbor Nursing Center, a place over run with womenregistered nurses, licensed practical nurses, nursing aides, physical nurses, physical therapists, dietitians, activities directors, janitresses, and a legion of fellow "resi dents," almost all women. There are two other men at Snug Harbora randy, bed-bound hundred -and-one-year-old crank and a Mr. Knack who quickly departs the scene after choking to death on a candy. Lofton, who has all the charm and mischievous hauteur of a Sheridan Whiteside, revenges the indignities imposed on him as a "resident" by exacting a list of conditions under which he will deign to serve as Snug Harbor's reigning St. Valentine's Day King. Playwright Hoffmann has a consistent genius for capturing satirical details. Book $4.50. Royalty $35-25.

***

MEMORABLE REGRETS
by John David Ballam
Cast: 5 men and 5 women. Five scenes Set: flexible area staging.
Alfred is in the process of arranging for the marriage of his ward, Robert, son of Alfred's deceased brother. Alfred is delighted with Robert's choice of a bride, Felice, but even more taken by her mother, Lady Herbert. He cannot explain his attraction, but the audience soon discovers it: Lady Herbert and Alfred had an illicit affair many years ago; Felice is actually his daughter. This insight ful comedy-of-manners plays out an unusual story of forgiveness amid the brilliant wit and cautious morals of late Victorian England. Book $3.00. Royalty - $35 - $25.

***

MEN WITHOUT NAMES
by Herschel S. Steinhardt
Cast: 8 men and 2 women. (some doubling possible). Two acts. Drama. Set: living room. MEN WITHOUT NAMES is a hard look at a so-called "charitable" institution run supposedly for the benefit of the homeless and down and out. In reality, Colonel Ash's "United Brotherhood Shelter" in MEN WITHOUT NAMES is almost a prison run by a despot. If the men do not slave at their appointed jobs or abide by the Colonel's own brand of strict religious observance, then they are summarily thrust into cold to fend for themselves. The story is dramatized from the point of Oscar Love, a sixty year old man down on his luck, a recipient of the United Brotherhood's largesse. MEN WITHOUT NAMES is a story of the truly poor without all the hipe of artificial language and emotion found in plays that might cover the same territory. MEN WITHOUT NAMES resonates with truth and simplicity. Book $3.50. Royalty $30 - $20.

***

MISS ZARKOFF IS MISSING
by Christian Garrison and Tom Eagan
Cast: 12 men and 12 women. Two acts. Farce. Set: hotel lobby.
Turdevania is a dumpy little Eastern European Socialist Republic. When a former Turd, now Ameri can citizen, offers a million dollar purse for a contest, Turdevania opens its arms and pockets. Five American high school girls are pitted against five Turd girls in the Turdevanian national sport teedlewitz, better known to the rest of the world as hopscotch. The American sponsor of the contest wants to open up the Turd market for his company's products. Commissar Britz is hell-bent on making sure the million bucks does not leave Turdevania. He needs it to replace the 500 thousand krochs he has embezzled from the Turdevanian State Treasury. Book $5.00. Royalty $35 - $25.

***

MOSTLY GHOSTS
by Rubin Battino
Cast: 15 men and 4 women. One act. Set: area staging.
A lot of people get knocked off in Shakespeare's Hamlet. But they don't hang around after they do. There is only one ghost in Shakespeare's Hamlet. In MOSTLY GHOSTS, Shakespeare's charac ters share the stage with Battino's creations. When Polonius dies, his ghost hangs around to com ment. Yorick's ghost puts in an appearance to whisper lies into the ear of the gravedigger, which accounts for the gravedigger being so witty with Hamlet. There there are the ghosts of Rosencrantz and Guildenstern, Gertrude Laertes, Claudius and Hamlet. An original concept, MOSTLY GHOSTS is an excellent entertainment for audiences that know their Shakespeare. Book $3.00. Royalty $15 - $10.

***

MURDER BY THE RULES
by Alexander Panas
Cast: 8 men and 4 women. Three acts. Comedy/suspense. Set: foyer of an inn/mortuary.
Edgar Allan Poe, master of the mystery story and originator of the detective story, and the 19th Century's greatest actor, Junius Brutus Booth, have a pact to meet each year at the equinox, and using whatever had occurred to them during the year make of it a work of art, i.e. Poe will turn it into a short story. This has been going on for ten years, when Booth shows up at the agreed spot to find Poe apparently mad, and insisting that a young lady's life is in danger. MURDER BY THE RULES, a comedy suspense, re-creates an evening in which the two great talents join forces to solve a murder. Performed at SMU, Stratford, CT, in Los Angeles and at several other theatres around the country under the title THE LADY IN THE OBLONG BOX. Book $5.00. Royalty - $35 - $20.

***

MURDER FOR ONE
by Tom Eagan
Cast: 5 men and five women. Full-length. Whodunit. Set Banquet hall.
MURDER FOR ONE is a dinner theatre audience participation whodunit. Everyone in the audi ence assumes the role of a guest at a banquet to honor billionaire philanthropist Harry Hamilton. Trouble is Harry was murdered the morning of the banquet and the banquet audience is called upon to identify the murderer from the wrangling, finger-pointing suspects gathered at the head table. Surprises and twists keep the audience guessing right up till the last moment. And even if an audi ence member was tipped off by someone who saw the play the previous night, he may not have the right answer. Three endings are provided. The audience will never know which ending will be used for any given performance. Book $5.00. Royalty $35 - $20.

***

MY BODY
by Al Schnupp
Cast: 6 men and 7 women. Two acts. Drama. Set: a mental health institution.
Keri commits Kate to an institution after she discovers her lover has been inflicting sexual harm upon herself. As a result of the initial examination and hearing, the doctors learn that Kate is also displaying symptoms of anorexia nervosa. Through counseling and fiery exchanges with Dr. Wendal, her psychiatrist, Kate discovers her destructive actions are a result of a negative body image as well as an inability to accept her lesbianism. Kate's journey to wellness is primarily motivated by the help of fellow patients. Kate begins to see her own situation in a new light and to accept her sexuality. In the process, however, Kate ends her relationship with Keri. Book $4.00. Royalty - $30 - $20.

***

1313 HELL STREET
by Alexander Panas
Cast: 12 men and 4 women. Two acts. Poetic suspense. Sets: suggestive.
Lou Fazuki, a fast stepper with a bum leg, is trying to escape the draft during World War II. He visits an old girlfriend in one of the apartments on Hell Street, where he waits anxiously for his one true love, Lorelei, and encounters the strangest group of people: a prostitute carrying on an imagi nary love affair with Albert Einstein become Clark Gable; Commodore Lapratt, who keeps his beloved wife locked up while he makes love to her sister; the Dragon, a demented fellow in long johns, who has fallen in love with a plastic doll that he religiously fills every morning with hot water; and the Four Horsemen, a vaudeville team reenacting scenes from World War I. A brutal murder occurs, for which Fazuki is blamed. Everyone, seeking a scapegoat for all their own "foible." finds the answer in Lou Fazuki, Public Enemy Number One. In the Miami production the audience was constantly on their feet, but then again, The Dragon was constantly under their seats! Book $5.00. Royalty - $35 - $25.

***

PENNY STEALERS
by Gerald Anthony Cox
Cast: 4 men and 6 women. Two acts. Comedy/mystery. Set: a summer boarding house.
A once elegant, Victorian ocean front home has been converted to a boarding house for summer, weekly rentals. Marge Kielty, a widow approaching mid-life is trying to keep the place going with the help of her son, Ted. The vacationers including a very private, mystery couple from Kansas; two retired, spinster sisters, and a honeymooning couple Suddenly Marge's weekly receipts, along with other items, disappear. Who has taken what is the bulk of the Kielty's meager financial assets and why? With humor, compassion, charm and, of course, suspense, the mystery is resolved. PENNY STEALERS, as a work-in-progress, received a collegiate mainstage production. It was enjoyed by audiences of all ages, and was named the season's best production. Book $3.50. Royalty $30-$20.

***

THE PHALLIC PHOBIA
by Alexander Panas
Cast: 5 men and 5 women. Two acts. Comedy. Set: area staging.
Verne LaVance, disenchanted playwright and man of no means, wakes up one morning to find the lingerie remains of a woman and a marriage license in his bed. But no woman. Who is she? He has no idea. Apparently, he went to a bar the previous evening and blacked out. What happened after that, he cannot remember. Verne returns to the bar and discovers to whom he is marriedone Harriet Jethro, who, strangely enough, is running for Mayor of New York, but even worse, is engaged to a millionaire Greek, Joe Bacon. Verne follows them home, and as Harriet and Joe embrace, Verne enters with a pistol to claim his wifeThis is just the beginning. A fine challenge for a director interested in pure farce and for actors who can move a mile-a-minute. Book $6.00. Royalty - $35 - $25.

***

PLAYS & PLAYTHINGS
by Rolando Perez
Cast: Variable. Nine one acts. Comedy and drama. Set: area staging.
From the inscrutable absurdist "I Can't Open It" to the realistic comedy "The Exchange," Perez exhibits a virtuoso ability to maintain the suspense and create well-defined characters through different styles of presentation. Several of the plays are minor masterpieceslate night commercial TV talk shows will never be the same after you stage "the Losing Game." In the title one act "Play things," a business executive is treated to a dose of masochistic pleasure in a brothel to expiate for the damage he does at work. "The Regular" lays bare the shallow bar scene environment. In "Proper Words" the audience is schooled in which is more importantwords or reality. A rich collection of one acts that make an excellent evening of theatre. The plays can also be performed separately. Book $5.00. Royalty $30-$20 (all nine); $15-$10 (separately).

***

THE PORTABLE CORPSE
by Donna Roberts
Cast: 7 men and 5 women. Three acts. Whodunit. One set: a sitting room.
Six college students, from various parts of the country, have won a visit to the Maine ocean front home of the famous author Arthur Thurston Rodgers. Very soon after the young writers are wel comed by Mr. Rodgers' nephew and social secretary, it is discovered that their host has been mur dered. An inept Inspector W. Holmes, who suffers under the delusion of being a descendent of Sherlock, is called in to investigate. We discover one of the college students is toting a gun and rifling thru desks. What is more there a secret passage in the house. Who took the ignition coils out of all the cars? Why are the ever-so-proper butler and the famous author's ex-wife separately moving the body from place to place? While looking out the window, did dumb Peggy really see a subma rine? Was Arthur Thurston Rodgers involved in more than writing best selling novels? Book $5.00 Royalty - $30 - $20.

***

THE POWER OF THE DOG
by Herschel S. Steinhardt
Cast: 8 men and 3 women, (doubling possible). Three acts. Set: area staging.
A penniless peddler, Joe, who upon falling in love, wants desperately to make a small fortune. In search of his fortune, he overlooks a very rare old world painting that is given to him free. When he finally does find out that the painting would make him wealthy, he frantically tries to get it back from the tourist shoppe owner, "Miserable" Ezra. THE POWER OF THE DOG is a comedy and a morality play wrapped in one. It speaks of how we too often are blind to the true value of things we take for granted. Book $3.50. Royalty $30 - $20.

***

PROPHET AND LOSS
by Frederick Kramer
Cast: 8 men and 6 women. Five acts. Tragedy. Set: area staging.
Telemachus is a depressed middle-aged man who is exhausted by his job that leaves him no time to think, talk or read. All he can do when he comes home evenings is find the energy to watch junk TV. He would like to break free of his middle-class urban life, but he is dominated by dreams of his deceased father whose myths control him. Finally, Telemachus gets up the courage to quit his job and stay home while his wife works. The realizations that he comes to are unbearable. Book $5.00. Royalty - $35 - $25.

***

QUOTAS!
by Scott Nichols
Cast: 6 men and 3 women; extras. Two acts. Black comedy. Set: area staging.
If you think a National Endowment for the Arts is a good, read QUOTAS! In December, 1938, in the northwest provincial town of Staraya Russa of the USSR, the District prosecutor Vasily Maximov has a problem: He has not met his yearly quota for arresting and bringing to trial "enemies of the people," or those "wreckers" of the new social order. And so, the good prosecutor is eager to seize on a young woman abstract painter, Dora Kaplan, for being an anti-revolutionary subversive who is trying to pollute society by introducing foreign ideas, like well, abstract painting! The whole thing would be a silly farce where it not based on factCommunism did try to suppress and control all forms of art; only "social realism" that glorified and romantized workers and towed the Party line was allowed. The consequence of government attempt to control, finance or in any way be involved with artistic expression is tragically dramatized in QUOTAS! The play reaches the pitch of hilarity when a Soviet general, in all seriousness, announces in open court that a particular Dora Kaplan abstract painting is really a map of a secret military installation. The mumbo jumbo of the Commissar for Cultural Enlightenment in the Union of Soviet Artists is satire at its best. Book $4.00. Royalty $30-$20.

***

THE RETURN OF NICK GEORGE
by Alexander Panas
Cast: 8 men and 3 women. 15 scenes. Set: fragmentary.
Everyone thought that Nick George, the cinema actor of a thousand faces, was dead! It was rumored that he had committed suicide after an incredible scandal. But suddenly the actor is returning for another big movie. Everyone is excited and everyone is frightened. But why? Old skeletons creak out of the closet as the play begins to unfold. Everyone is very nervousThey know from the first day of shooting on the new film that Nick George is back for revenge. He will exact his retribution and turn the tables on everyone. A spoof on the incredible hogwash of power politics in Hollywood, where egos fly like pigeons and are shot down just a rapidly. It is a show for an ingenious director, that gives the actors a chance to tear into the scenery. Book $5.00. Royalty - $30 - $20.

***

RICHARD III and THE TWO PRINCES
by Francis Gallagher
Cast: 10 men and two women. Historical drama. Two acts. Set: Area staging. Sir Sidney Thompson, the producer/director/chief actor of a contemporary stage company is captivated by the idea of his scholarly stage manager, George Mills, that King Richard III got a bad rap from Shakespeare and Thomas More. Sir Sidney has his theatre company improvise various scenes, based on Mills' re search, that try to recapture what might have been the true story of Richard III. Central to the in quiry is: Who killed the two young Princes, heirs to the throne? Was it Richard III as Shakespeare would have us believe? Or was it Henry Tudor who would wrest the crown from Richard III in 1485 at the Battle of Bosworth? RICHARD III and THE TWO PRINCES thrusts us into the fascinating twilight days of the Middle Ages, the world of the Plantagenets and the Tudors. All the actors assume multiple roles. Book - $5.00. Royalty $30-$20.

***

ROMEO AND JULIET ARE LOVERS
by Jules Tasca
Cast: 6 men and 5 women. Two acts. Set: area staging.
The tragic story of Romeo and JulietAh, to love so intensely and to die so young! But what if Romeo and Juliet had lived? In ROMEO AND JULIET ARE LOVERS we have a domesticated, middle-aged Romeo and Juliet with a young son of their own. Romeo's old friend Benvolio, now "a fat balding man with a tooth missing," pops in to tell Romeo on the sly that Rosalineremember Romeo's first love?is in town, and guess what ROMEO AND JULIET ARE LOVERS would play superbly in repertory with the original. Book $5.00. Royalty - $35 - $20.

***

THE ROYAL MILE
by Francis Gallagher
Cast: 14 men and 3 women.
Historical dramas with real-life heroes and heroines are rare these days. But that is what playwright Francis Gallagher has whipped upafter extensive researchin THE ROYAL MILE, which dramatizes two years (1556-57) in the tumultuous reign of Mary Stuart, Queen of Scotland. The play will send your audience scurrying for a history book, where they will find that Mary Stuart was a a Catholic ruler in a country turning Protestant. And, it is strongly suspected that she had fore -knowledge of the murder of her husband (second husband) and rewarded the murderer, the Earl of Bothwell, by marrying him. Well! What playwright Gallagher has done is to turn Mary into a candi date for sainthood, which is what a Protestant minister is pushing for in the Prologue and a Catholic priest is convinced of in the Epilogue of THE ROYAL MILE ! Betwixt Prologue and Epilogue, we have an historical romance of Bothwell and Mary. THE ROYAL MILE is the stuff from which they made Errol Flynn movies in the 1930's, or whenever was the last time Americans believed in pas sion, romance and heroics. Book $5.00. Royalty $30-$20.

***

S'AGAPO or OO LA LA, NANA
by Alexander Panas
Cast: 12 men and 5 women. Three acts. Set: area staging.
In years past, Nana, a singer, and Dimitri, a mandolinist, were lovers, and they played their music at The Parthenon of Parthenons, a Greek restaurant in downtown, NYC. The famous musical duo was the toast of the town and their love, the nectar of the gods. But a lover's quarrel split both the couple and the restaurant. As the play opens, the two separate restaurantsGeorge's Parthenon and John's Parthenonhave fallen on difficult times, but each thinks the other is doing well. Nana and Dimitri have long since gone their separate ways. But they are called back, each by one of the restaurants, to assist with an emergencythe daughter of one group has fallen in love with the son of the other group. S'AGAPO is a romantic comedy filled with Chekovian characters, teenage love, old love, and still older love, and laugh-wrenching conflicts. It is an excellent show for character actors. Sweet love and honeyed laughs. Book $5.00. Royalty - $30 - $20.

***

SEED OF DARKNESS
by Lawrence Riggins
Cast: 5 men (principles) and 3 women (principles). 3 minor men's roles and 9 minor women's roles. Murder Mystery. Two acts. Set: area staging. New York City, fall of 1849. Someone is murdering young women and mutilating the bodies and the chief suspect is the master crime writer, inventor of the detective story, Edgar Allan Poe. Poe has had some disastrous relations with women. The love of his early life deserted him. The spectre of Elmira Royster and visions of his tragic marriage con stantly haunt him. The murders seem to parallel Poe's own stories. Could the great writer be a psychotic killer?! A suspenseful drama and a glimpse into the painful romantic life of one of literature's greatest geniuses. Book $4.00. Royalty $30$20.

***

SINGING ACRES
by Richard Maibaum
Cast: 20 men and 10 women. Three acts. Drama. Set: farm. It is the 1930's, the time of the Great Depression. The Gilkies are about to be evicted from their ancestral home because they can't meet their mortgage payments. Suddenly, a Stranger appears and rallies the Gilkies and a handful of other farmers in the same situation, to stand and fightfight the sheriff, the judge, the marshals, and the federal soldiers sent against them. Who is this galvanizing stranger? A reincarnation of John Brown! This crazy idea, that a man hanged some seventy years earlier reappears to lead others for freedom and justice, is played out in a naturalistic setting with characters as convincing as anything in GRAPES OF WRATH. The theme is timeless; the charac ters unforgettable. SINGING ACRES is epic drama at its best for any generation in distress. Book: $5.00. Royalty $30 - $20.

***

16 POINTS ON A HURRICANE'S COMPASS
by Louis Phillips
Cast: 12 men & 4 women. Two acts. Comedy/drama. Set: area staging.
16 POINTS ON A HURRICANE'S COMPASS is a continuation of THE BALL-ROOM IN ST. PATRICK'S CATHEDRAL, which opened the stage saga of a Greek-American family settled in a small town in Massachusetts. In 16 POINTS it is August,1955, and Massacusetts is threathened by Hurricane Connie. The Janetakis clan, headed by George and Pendakis, is in the business of creating "a special mood-provoking environment for bars, lunges, restaurants and all other establishments willing to take the plunge." They are presently involved in setting up a hurricane environment for a bar co-owned by Angelo DeSica and Rita Foscolo. Elaine Janetakis has decided to leave George, and shows her independence by going off to the summer cottage for a fling with a sailor she has picked up in a bar. Book $5.00. Royalty $30.00$20.00.

***

SLIME MONSTERS DON'T USE ROPES
by Phil Darg
Cast: 2 men and 1 woman (major roles). Large cast of minor roles that can be doubled up on. One act. Comedy. Set: Italian restaurant.
Kathy is treated to a series of bizarre experiences as her two companions, Todd and Russ, sit oblivi ously by discussing a sci-fly movie they've seena criminal attacks a cop eyeing Kathy, and then chases Kathy around with a knife. She is saved by a pan-wielding cook, who in turn is shot to death by a mysterious man in a black robe. Four other black robes join in and start holding a devil wor shipping ceremony. Kathy is gagged and bound and about to be sacrificed when five tough monks come on the scene. On and on it goes. SLIME MONSTERS DON'T USE ROPES is a satirical farce on how out of touch with reality movie fans can be. Book $2.50. Royalty - $15 - $10.

***

SLY TIMES
by Matthew Maibaum
Cast: 14 men and 4 women. Three acts. Set: interior and exterior.
Ms. Tarnople, an elderly, kindly Jewish widow and apartment owner allows a young, charming, unemployed college dropout con-artist to move into her house in exchange for some work he prom ises to do about the place. Soon her guest has invited two other friends to stay with him, and being the kindly lady she is, Mrs. Tarnople allows them to stay. What she doesn't know is that all three of her guests are hooked on drugs, and will do anything, moral or immoral, legal or illegal, to secure their supply. A comedy with characters that have an authentic ring. Book $5.00. Royalty - $30 - $20.

***

SOLDIER
by Francis Gallagher
Cast: 19 men plus extras. Two acts. Drama. Set: area staging.
In December, 1944, in the Ardennes Offensive (Battle of the Bulge) there occurred an incident, ever after referred to as the Malmedy Massacre, in which seventy unarmed American prisoners of war were slaughtered by Waffen SS Nazi soldiers. After the war, the Allied War Crimes Commission prosecuted the German commander of the unit responsible for the murders. SOLDIER dramatizes the trial of Lt. Colonel Joachim Peiper, flashback battle scenes, and the aftermath of the trialhow Peiper was help prisoner for ten years but never executed, his post war civilian work with Mercedes -Benz in Italy, his retreat to a small French village, and his final battle with French Communists in 1976. SOLDIER is a suspenseful, well-researched, action saga and character study of an heroic figure who may have been hounded through his life for something he was not responsible for. The achievement of SOLDIER is it makes three-dimensional and even sympathetic someone most Americans would not identify with. Book: $5.00. Royalty $50-$20.

***

TALES OF MYSTERY & IMAGINATION:
THE EDGAR ALLAN POE SHOW

by L. Don Swartz
Cast: 6 men, 3 women, 4 boys and 5 girls. Two acts. Set: a basement.
"Mr. Swartz's script contains enough of Poe's works to give an insight to the l9th Century author," Len Delmar, Tonawanda News, NY. The frame story has a small group of contemporary children discovering one of the Master of Mystery's secret writing places in an ancient basement. Conduct ing a seance, the children are able to communicate with the ghost of Poe. Integrated into the action are some of Poe's most memorable works presented dramatically, with music and dance"The Mask of the Red Death," "The Tell-Tale Heart," The Cask of Amontillado," "The Raven," and "Annabel Lee." Book $4.50 Royalty $30-$20.

***

TANKER STIFF
by Francis Gallagher
Cast: 14 men and 4 women. Three acts. Drama. Set: area staging.
From his personal experience on tankers, playwright Gallagher has written a love story set in an unlikely placeaboard an ocean-going tanker. Jack Miller is the Purser on the S.S. Golden Plover. Miller is determined never to get involved romantically. At sea he's safe. But, at the moment, the S. S. Golden Plover is docket at a German port shortly after World War II and into his ship office runs Corinna, a beautiful German waif. Miller is hooked and so is Corinna. The villain is the Authorities, who want to send Corinna over to the Commies in East Germany. The extent to which the non -romantic Miller, now in love, goes to save Corinna is the substance of TANKER STIFF. Book: $5.00. Royalty $35-$20.

***

TELL MAMA GOOD-BYE
by Robert L. Tecklenburg
Cast: 10 men and 1 woman. Two acts. Drama. Set: area staging.
TELL MAMA GOOD-BYE is an historical drama set in a midwestern army camp during World War I. A young white woman has been sexually assaulted. Three black soldiers, all from the South, are accused of committing the crime. A courtmartial is hastily convened to try the three men, each separately, for rape. The nearby community is outraged over the crime. Public opinion forces the mayor to demand harsh retribution from the camp commandant. Passion and prejudice battle reason, ambition holds sway over impartially, compassion must overcome revenge. Book. $3.50. Royalty $35 - $20.

***

THANK YOU FOR SHOPPING AT BANDWEIGHTS
A comedy in two acts
by Tom Eagan
Cast 13 men and 5 women. (Doubling possible)
Set: area staging, various. Alan Stockdale is a sales clerk in a Denver, Colorado, department store. Grace Le Fleur is a Hollywood starlet on vacation from her husband/producer, Irving Turnbull. Grace Le Fleur manages to turn Alan's life upside down. Book $5.00. Royalties $30-$20.

* * *

THE TREE
by Richard Maibaum
Cast: 11 men and 3 women. Eight scenes. Drama. Set: a lonely spot in out-lying fields.
A rural community north of the Mason-Dixson line in the 1930's. A white girl, Ruth, is sitting waiting for her fiancee. a young Negro, David, who is a friend of Ruth's, comes along and they chat. David sings her a song, and then runs home to get his banjo to play for her. When he comes back, Ruth has been murdered. Ignorant white men, who come on the scene, jump to the conclusion David murdered Ruth, and they lynch him. The rest of the play tracks the consequences of the lynching, particularly the psychological consequences on the real murderers. Book $5.00. Royalty $30 - $20.

***

THE VIOLET CAFE
by Jesse Kulberg
Cast: 9 men and 5 women. One act. Drama. Set: a small shabby barroom.
Bill and Violet are part owners with Jack and Rita of a barroom across from a veterans' hospital. Brin, a patient from the mental ward of the hospital, has escaped and unbeknownst to the proprietors of the Cafe, Brin is hiding in the attic of their establishment, where he observes everything that goes on below. At night he has been sneaking down for food, which Bill is accusing Jack of eating. One evening Violet discovers Brin. Brin is quite a charmer. For a brief episode Violet's life is opened to possibilities that her nose-to-the-register husband Bill could never envision. Violet decides not to reveal Brin's presence to those searching for him. When Bill finds out her deception, it is incompre hensible to him; an act of personal betrayal. Or is it? Book $3.00. Royalty - $15 - $10.

***

WIGGLING IN THE RAIN
by Matthew Maibaum
Cast: a basic cast of five major roles and seven small parts, and four extras. Comedy. Four scenes in short version and three in expanded version. Set: area staging.
It is the story that had to be told. A sensitive, mature, caring, articulate organ tells all about what it is like to be him: making babies happen and doing a little liquid waste disposal business on the side. He trades never-ending verbal brickbats with his two work companions, and grumbles about the environment suite he has to wear, while at the same time letting us see and hear what sperms talk, think and worry about on that long ride to parts unknown, surrounded by white blood cells, bacterias, fat globules and other colorful characters. To us, it may be romance or fun, but to our main characters in WIGGLING IN THE RAIN it can be just a job. And none of us, or them, may really know why we're here or where we're really going. No adult language; just microscopic sophistication. A science fiction comedy that is a cross between Sartre's "No Exit," "Fantastic
Voyage" and "The High and the Mighty." Anti-sexist, anti-racist and anti-derisionist in its perspec tives. Book $3.00 short version; $4.00 expanded version. Either version: Royalty $30 - $20.

***

WILLIE THE SHAKE
by Tom White & Nick Andrews
Cast: 6 men and 7 women. Two acts. Set: a stage.
A college course brings a group of students and their professor into the country to produce A MID SUMMER NIGHT'S DREAM. WILLIE THE SHAKE is a backstage story. "Love and romance are the pulse of WILLIE THE SHAKE The end result is a tribute to our strength as a unified people..." The Daily Texan. "Lessons on life, love, and the demands of intense inter-personal relationships transform each of the characters." Third Coast Magazine. "...an amiable comedy full of scatalogical humor and the problematic interpersonal relationships of characters who talk in encounter-groupese." Austin American-Statesman. "...wholesome entertainment in the best sense of the word." Alex Plaza, The Austin Press. Book $5.00. Royalty $35 - $20.

***

THE WINE CELLAR
by Francis Gallagher
Cast: 10 men and 2 women. Two acts. Set: wine cellar.
April 25, 1945, BerlinThe Nazi Third Reich is melting away quicker than summer snow. In the cellar of a pre-war fashionable cafe, a cross-section of Germans huddle together and debate how Hitler came to power and what the future holdsThe Soviets are about to arrive. Blood is about to spill. Some, like Billie, the owner of the Cafe and Hans Havel, former representative in the Weimar Republic, refuse to attempt escape; Berlin is their home and they predict the City will rise again out of the ashes. Some, like Faust, will stay and fight the lost battle. When asked why he joined the SS Faust replies, "For the same reason my ancestors joined the Roman legions." With excellent charac ter delineation, THE WINE CELLAR is a superb portrait of the character of a people that have written a good portion of the history of the 20th Century; a timely, meticulously researched drama that gives historical perspective to the unification of Germany and the selection of Berlin as the nation's capital again and well may shed insight on the future destiny of Germany. THE WINE CELLAR premiered at Actors' Playhouse, Nashville, Tennessee in 1992. Book $4.00. Royalty $40 -$20.

***

THE WOODEN INDIAN
by Jesse Kulberg
Cast: 12 men and 5 women. Two acts. Comedy. Set: area staging.
Mike, a Harvard educated chief of an oil wealthy Indian tribe, falls in love with Kathy Gordon, a New York sales clerk. He marries her and finds out at the wedding that she married him for his money. An ordinary millionaire, under the circumstances, might easily file for divorce. Not so for the chief of an American Indian tribe. Matters are complicated by the Chief's family and tribal council, who are not your conventional collection of Indians. They put on the feathers only for the tourists, and are in reality more interested in cattle raising, trips to Paris, etc. Mike's tribe and family fall in love with Kathy, and think Mike is crazy to want to divorce her. "What's wrong with marry ing for money?" Mike's mother asks. Further, a property settlement requires the approval of none other than the Secretary of the Interior. And that is where things really get complicated. A romantic comedy that incorporates a satire on how the government handles or mishandles Indian affairs. Book $5.00. Royalty $30 - $20.

***

WRITER'S BLOCK & OTHER GRAY MATTERS
by Elisabeth Grace and Richard Prescott
Cast: 37 roles. 15 men and 22 women. (Doubling possible: Minimum cast: 11 actors: 5 men and 5 women.) Collection of one acts, skits, blackouts. Comedy. Set: area staging.
A whimsical and imaginative collection. The title piece, "Writer's Block" is a blackout in which gnones drop a black cube on a writer's work causing the writer to drop her pen and take off for the day. "Umbrella" is a brief conversation between a couple waiting for a traffic light to change. "In Blind Date" a male student is crestfallen when a blind female student fails to notice him. In "Under ground" three women are riding a subway. it is not the one you would expect who pulls a gun and shoots the other two dead. In "Monsters in the Closet" a woman is afraid to open her closet. In "Wisdom" a reporter tries to interview a family on the death of their son. "Sweet Dreams" finds a caretaker of cryogenically preserved "clients" awakening a woman because she (the caretaker) is lonely and wants someone to talk to. The one act HANGING BASKETS (infra) is also included. Book $4.00. Royalty $30-$20.

***

THE YEAR OF THE RAT
by Francis Gallagher
Cast: 17 men and 5 women and extras. Three acts. Love story. Set: area staging.
1945, Chungking, China, a U.S. Naval Weather Station behind the Japanese lines at the close of World War II. An unlikely setting for a love story. Yet that is what THE YEAR OF THE RAT isan interacial love story. John Cary, Chief Petty Officer at the Naval Station, has fallen in love with Golden Bells, an actresses and daughter of a well-established Chinese family, the House of Kan. Everything conspires to keep the lovers from marrying, not the least of which is the Chinese suspi cion of foreigners. As for John Cary, he is willing to quit the Navy and even renounce his citizenship if they stand in his way of marrying Golden Bells. Book $5.00. Royalty $35-$20.

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