I devoted much of October 2002 to collecting various Halloween-related
links in celebration of my favorite holiday. This page is
a collection of exclusively horror-related linkage.
Last night I took the girls trick-or-treating up and down the block.
Cecilia dressed up as a bat; my lovely wife made her a set of bat
wings, and I made her some ears. Naomi was a cat, which pretty much
meant black sweats and a pair of store-bought cat ears and tail.
Despite the fact that less than half the houses on our block had
their porch lights on, the girls cleaned up in terms of candy, and
Cecilia was very charming as she clambered up the various porch
steps, knocked on the doors, and said "Trick or treating!" Eventually
they got so loaded up that I stopped bringing Naomi up...there's
no way she's going to eat that much candy, and if she did we'd have
one wired toddler on our hands.
After the girls settled down for bed, we watched our new DVD
of Halloween.
All in all, it was a very pleasant and special holiday.
Today's horror wallpaper shows zombies roaming a shopping mall in
a scene from 1978's Dawn
of the Dead, George
A. Romero's superlative sequel to the 1968 classic Night
of the Living Dead. A deft blend of horror, comedy, gore
(supplied my special effects master Tom
Savini, who also makes a couple of cameo appearances) and social
commentary, Dawn surpasses its excellent predecessor and
stands as perhaps the definitive zombie movie. Indeed, its success
in Europe spawned the legion of Italian zombie movies we know and
love. Dawn was released in Italy as Zombi; prompting
Lucio Fulci's
1979 not-exactly sequel to be released as Zombi 2, arriving in the
US called simply Zombie.
As the guys from Teleport
City point
out, the situation is reminiscent of the whole Big Boss/Chinese
Connection/Fist of Fury naming debacle that affected
Bruce Lee movies.
Today's wallpaper
is from the 1979 Lucio
Fulci horror picture Zombie,
which I picked up for ten bucks at Best
Buy the other day and watched just this morning. (Reviews at
Teleport
City--which hosts reviews of several other gory Italian zombie
flicks, as if there were any other kind--Stomp
Tokyo, and Badmovies.org
.)
As
we celebrate the final countdown toward Halloween, the last batch
of wallpapers are going to be from the coolest horror flicks ever
(not that they pretty much haven't been all along). Let's kick things
off with an old-school reference: some classic Universal horror,
in this case James
Whale's 1931 classic Frankenstein,
which launched the long horror career of a British actor named William
Henry Pratt, who achieved fame under the stage name Boris
Karloff.
Here's an interesting
research paper on emotional responses to things that are similar
to human appearance and movement. Originally conceived as an aspect
of robotics, the study explains why creatures like zombies
can be more horrifying than bizarre,
inhuman monsters. It begins:
Japanese roboticist Doctor Masahiro Mori is not
exactly a household name — but, for the speculative fiction community
at least, he could prove to be an important one. The reason why
can be summed up in a simple, strangely elegant phrase that translates
into English as “the uncanny valley”.
Though originally intended to provide an insight into human psychological
reaction to robotic design, the concept expressed by this phrase
is equally applicable to interactions with nearly any nonhuman
entity. Stated simply, the idea is that if one were to plot emotional
response against similarity to human appearance and movement,
the curve is not a sure, steady upward trend. Instead, there is
a peak shortly before one reaches a completely human “look” .
. . but then a deep chasm plunges below neutrality into a strongly
negative response before rebounding to a second peak where resemblance
to humanity is complete.
This chasm — the uncanny valley of Doctor Mori’s thesis — represents
the point at which a person observing the creature or object in
question sees something that is nearly human, but just enough
off-kilter to seem eerie or disquieting. The first peak, moreover,
is where that same individual would see something that is human
enough to arouse some empathy, yet at the same time is clearly
enough not human to avoid the sense of wrongness. The slope leading
up to this first peak is a province of relative emotional detachment
— affection, perhaps, but rarely more than that.
Here's MSN Entertainment's picks of the top
10 Halloween movies. It focuses exclusively on post-Psycho
era; none of the classic Universal or Hammer horror flicks are
represented. The list's compiler, Dave McCoy, explains why: "The
mark of a great horror film is whether it sustains its vision of
terror through several generations of increasingly desensitized
viewers. Does the movie still make you jump or squirm or sweat or
scream?"
Sorry for the delay in posting this morning's wallpaper. I spent
the morning at the Central Indiana
Regional Blood Center donating platelets. I used to do apheresis
(platelet) donations all the time in Louisville; I was very pleased
when the CIRBC called requesting that I do so here (apparently they
liked whatever they found when they analyzed my blood from the
last time).
Donating platelets is different from giving blood because
the blood is drawn from one arm, spun through a centrifuge
to extract the platelets (which help the blood clot) and the
remainder--plasma, red cells, white cells, etc.--returned
in the other arm. The process takes about two hours. The donation
center is set up so that individual donors can view movies
they select (I watched Jet Li's Black
Mask (also starring the lovely and talented Francoise
Yip), as there were no good horror flicks on the list),
so it isn't an unpleasant experience at all.
In other news, I was shopping for a birthday present for
my nephew last night and saw the PlayStation game Parasite
Eve 2 on sale, so I picked it up. I haven't had much time
to look it over, but on first impression it seems very cool.
It retains the survival horror elements of the original--in
the opening story, player character Aya Brea must battle mutants
amidst the bloody remains of a SWAT team the creatures have
taken out--while exchanging the Final
Fantasy-like turn-based combat style with a real-time
system. I'm sure I'll enjoy it, and it was a bargain to boot.
Today's wallpaper
is a creepy desktop image from Wes
Craven's landmark 1984 scarefest A
Nightmare on Elm Street. This film adhered to the tradition
of having a succession of increasingly L4m3 sequels (and unfortunately
marked the debut of the wisecracking killer), it does buck the trend
on two notable occasions: the exceptional third installment, Dream
Warriors, which marked the return of Nightmare lead
actress Heather Langenkamp and Craven as screenwriter, and the 1994
New Nightmare,
which took the bold step of casting veteran Nightmare cast
Langenkamp, action stalwart John
Saxon and Robert
Englund--and Craven himself--as themselves (and as Freddy
Krueger, in Englund's case) battling a Freddy who threatens to emerge
from the mythical reality of the films. New Nightmare is
a much more satisfyignly self-referential film than 1996's Scream,
and I rented it the other day for a repeat viewing.
...and in other news, the sky is blue (thank you, FARK).
Here's a juicy
rant about the deplorable state of screenwriting, and the
author points the finger squarely at the writers themselves.
I think screenwriting has lost its edge. ...We’re
making millionaires out of less than talented people. But that’s
not even what’s at the core the problem. It’s just sloppy, unimaginative,
and vile screenwriting. Recently I interviewed one professional
screenwriter and asked him what were some literary influences
in his life? He could not name one. ...How many professional screenwriters
today do you think could pound out a decent novel? They’re not
writers today, but merely facilitators. Often the best parts of
a modern movie are the ones created by a technician sitting at
a computer (CGI creation).
Today's wallpaper is a rendered version of the teaser poster
from George A. Romero's horror classic, Dawn
of the Dead. Like Bride
of Frankenstein, this sequel (to Night of the Living
Dead) surpassed the original by including thinly veiled
social commentary and not a little comedy (zombies slipping
and falling as they try to cross an ice skating rink, for
example). Check out the reviews at Badmovies.org,
HorrorDVDs
and Cold
Fusion Video Reviews.
LEGODEATH is a spiffy yet
demented Flash-enabled gallery of various morbid scenes created
with LEGO blocks. Categories
include a torture chamber, methods of execution throughout the ages,
and sceens of horror from the home and workplace.
Today's wallpaper is from The
Bride of Frankenstein, the excellent 1935 follow-up to James
Whale's unforgettable adaptation of Mary Shelley's novel. Indeed,
in the prologue Elsa Lanchester plays the story's author (and the
Bride, uncredited, later on) as she tells her husband, poet Percy
Shelley, and the flamboyant Lord Byron that the story didn't end
with the burning of the mill at the close of the first movie.
The Bride of Frankenstein is one of the rare cases where
a sequel actually surpasses the original. (Dawn
of the Dead is another.) For starters, the monster learns
to speak, so Boris Karloff gets to expand on the already impressive
acting chops he brings to his portrayal of the Creature. In addition,
the sequel picks up plot elements of Shelley's novel that were
discarded for the first movie--the Creature's desire for a mate,
and the old blind hermit befriending the hapless Creature. Viewed
today, it's amazing the amount of subtext Whale was able to get
away with in 1935.
By the way, if you haven't seen the 1998 movie Gods
and Monsters, which portrays Frankenstein director
James Whale at the end of his life, you should check it out. For
one thing, you might be amazed to discover that Brendan Fraser
really can act.
I downloaded this wallpaper last year and no longer remember
where I found it, unfortunately.
In these days of unending re-makes and "re-imaginings";
of sequels and prequels and spin-offs; of absolutely relentless
cinematic regurgitation, I would much rather watch an attempt
to do something original than something I’ve seen a hundred times
before under a hundred different names – even if, in the end,
that attempt trips over its own aspirations and falls flat on
its face in the mud – as is the case with The Heretic.
I downloaded today's wallpaper for last Halloween and no longer
remember where it came from. It's a cutscene from the classic Capcom
survival horror game Resident
Evil, from early in the game when the payer interrupts a zombie
at its...meal.
Here's a review
of the original Resident Evil game, here's a history
of the RE series at videogames.com,
and here's the reveiw once again at The Bad Movie Report that
calls RE "the bad movie you play." And since I'm oplaying the
Claire B scenario of Resident Evil 2, I'll take note of this online
player's guide.
Not much time to blog so far today (which is a pity, because I have
a good half-dozen new links sitting on my desktop), but I did want
to mention The Mutant
Reviewers from Hell. It's a group of young reviewers who've
looked at hundreds of movies and give their opinions, singly and
collectively. They've even watched The
Doom Generation so you don't have to. For your convenience,
they also group their film reviews by category, including scary
movies. Well worth checking out.
Cassandra Peterson, the actress who gained fame playing the campy
horror movie hostess Elvira, Mistress
of the Dark, will not host the Halloween spook-tacular at Knott's
Berry Farm for the first time in 15 years. According to this
article in the Milwaukee
Journal Sentinel, Peterson is considering retirement.
"Every year, I have to spend another hour working
out. Pretty soon I'll be spending eight hours working out just
to fit in the costume.
...If I retire doing the character, I don't think the character
has to retire," Peterson says. "There will still be caricatures
of Elvira. You know, Dracula still works, and he's dead."
The Elvira character got her start in 1981 when a local TV station
was looking for someone who was "sexy and funny" to host its late-night
horror films.
Attack
of the Tweety Zombies is a fun game on the official Looney
Tunes site. It seems that Sylvester has finally offed his old
nemesis Tweety, except the little bird now keeps coming back from
the grave! The player steers Sylvester around to stomp on the Tweety
zombies and duck flying bats.
Scott Adams and Keith Allison at Teleport City have reviewed a number of horror movies--mostly Italian zombie and giallo flicks, Japanese creepiness, kung-fu zombie craziness, and a couple of bad slasher films. It's great reading and an interesting look at some different kinds of cinematic horror.
I'd downloaded the Quake soundtrack way back in May, and the MP3s pretty much sat in my download directory until last night, when I burned them onto a music CD. I figured Trent Rezonor's music would be appropriate Halloween background music (and I've been listening to the OSTs from the first two Resident Evil games and Parasite Eve way too much at work). I played the CD today, and it was just as I expected--murky, industrial, and ominous, a perfect background for the Halloween season. I expect this CD will be in heavy rotation until the end of the month.
A downloadable full version of an installement of the horror/comedy variety show "The Hilarious House of Frightenstein" (featuring Vincent Price!).
Update: Great googly moogly! I downloaded it, and was surprised to discover I remember this show from waaaaay back in the '70s. It's truly bizarre but funny in a whacked-out kind of way. Vincent Price is a sort of MC who introduces the various sketches with odd verse. There's an oracle who drops his crystal ball, a character resembling Lobo from the Ed Wood flick Bride of the Monster, and the truly wacky vampire/puppet segment you see here. Quite a blast from the past!
